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The typical men's kimono is a subdued, dark colour; black, dark blues, greens and browns are common. Fabrics are usually matte, in contrast to the occasional satin weaves of some women's kimono. Some men's kimono have a subtle pattern, and textured fabrics are more common in informal men's kimono.
' long under-robe ') A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
Adult men generally wear heko obi only at home or in the summer months with a yukata, [17] whereas young boys can wear it in public at mostly any time of year. Kaku obi (角帯, "stiff obi ") is the second type of men's obi, roughly 10 centimetres (3.9 in) wide and 400 centimetres (13 ft) long. [17]
Hakama are worn with any type of kimono except yukata [2] (light cotton summer kimono generally worn for relaxing, for sleeping or at festivals or summer outings). While glossy black-and-white striped sendaihira hakama are usually worn with formal kimono, stripes in colours other than black, grey and white are worn with less formal wear.
[81] [61] [82] [83] The robe continued to be worn in the Northern and Southern dynasties by both men and women, as seen in the lacquered screen found in the Northern Wei tomb of Sima Jinlong (ca. 483 A.D); however, there were some minor alterations to the robe, such as higher waistline and the sleeves are usually left open in a dramatic flare.
Also called a morning gown, robe de chambre or nightgown, the banyan was a loose, T-shaped gown or kimono-like garment, made of cotton, linen, or silk and worn at home as a sort of dressing gown or informal coat over the shirt and breeches. The typical banyan was cut en chemise, with the sleeves and body cut as one piece.