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Dena Mwana is a gospel singer and composer originally from the Democratic Republic of the Congo (DRC).. Nominated several times and awarded at the African Gospel Music & Media Awards in 2013 and 2019 in London, [1] she has shared the stage with several renowned artists and has already performed more than two hundred performances in more than 16 countries in the world.
for Haiti on behalf of all the ancestors For Haiti on the behalf of the Ancestors Let us mow, let us sow. All our strength rests in the soul – It is what feeds us. Let us mound up earth, let us send water With joy, the earth must be fertile Mow, water, women and men that we may live by our own arms' strength alone. For Haiti and for the Ancestors
Haïti Chérie" (French pronunciation: [a.iti ʃeʁi]: Dear Haiti) [1] is a traditional patriotic song of Haiti of a poem written by Othello Bayard that was initially called it Souvenir d'Haïti ("Memory of Haiti") [2] and composed to music in 1925. It is widely considered as a second national anthem, [3] and one of Haiti's most famous ...
Within the Haitian community, at home and abroad, it is widely considered as a second national anthem to La Dessalinienne and the song has recorded several different versions. Haiti did not have recorded music until 1937 when Jazz Guignard was recorded non-commercially. One of the most current popular Haitian artists is Wyclef Jean.
Haitian gospel music, began its roots in the rise of Christianity, when it was first imported to the island by Spain's Christopher Columbus in the 15th-century and again by the French during colonial years of Saint-Domingue, as Jesuits and Capuchins served as missionaries to continue the proliferation of Catholicism.
Modern linguists trace the etymology of lwa to a family of Yoruba language words which include olúwa (god) and babalawo (diviner or priest). [2] [3] [4] The term lwa is phonetically identical to both a French term for law, loi, and a Haitian Creole term for law, lwa. [5]
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou.Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of ...
Joseph Emmanuel "Manno" Charlemagne (April 14, 1948 [2] – December 10, 2017) [3] was a Haitian political folk singer, songwriter and acoustic guitarist, political activist and politician. He recorded his political chansons in both French and in Creole.