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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Tag (barbershop music) Tarantella Napoletana; Tasto solo; Tempo; Tenor; Terp (music industry jargon) Territory band; Terzschritt; Tetrad (music) Text declamation; Thirty-two-bar form; Titling; Tone (musical instrument) Tonus peregrinus; Treble voice; Triad (music) Trumpet voluntary; Tutti
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
This category is for Opera terms and terminology. It should not be depopulated. It should not be depopulated. [ clarification needed ] Opera terminology relates to music and drama practices.
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Accent can refer to any stressed or emphasized note, such as sforzando.It was used to indicate an ornament until the 18th century. In German Baroque music it occurs in J. S. Bach's ornament tables as a stressed appoggiatura, indicated by a half circle or "C" in front of a note.