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The symphony is scored for an orchestra consisting of piccolo (doubling flute), 2 flutes, 2 oboes, cor anglais, clarinet in E ♭, 2 clarinets in B ♭, bass clarinet, 2 bassoons, 4 horns in F, 4 trumpets in C, 4 trombones, tuba, snare drum, cymbals, bass drum, xylophone, timpani and strings.
The symphony is scored for full orchestra with 3 flutes (the 3rd doubling piccolo), 3 oboes (the 3rd doubling cor anglais), 2 clarinets in A and B ♭, bass clarinet in A and B ♭, 2 bassoons, contrabassoon, 4 horns, 2 trumpets in A and B ♭, 1 contralto trumpet in F, 3 trombones, tuba, timpani, cymbals, bass drum, snare drum, triangle ...
The symphony is scored for a large orchestra consisting of 4 flutes (all doubling piccolos), 4 oboes (4th doubling cor anglais), 4 clarinets (3rd doubling piccolo clarinet, 4th doubling bass clarinet), 4 bassoons (4th doubling contrabassoon), 6 horns, 4 trumpets, 4 trombones (4th doubling contrabass trombone), tuba, timpani, 2 tam-tams, vibraphone, marimba, bells, glockenspiel, electric guitar ...
3. (𝅗𝅥 = 60) The symphony is scored for a symphony orchestra consisting of two flutes, one piccolo, three oboes, three clarinets in B-flat, one bass clarinet in B-flat, two bassoons, one contrabassoon, four horns in F, four trumpets in B-flat, four trombones, one tuba, timpani, one celesta, bells, one marimba, tam-tam and a full string ...
The Variations on a Rococo Theme for cello and orchestra, which Wiley suggests by Tchaikovsky's use of the word Rococo in the title is his "first nominal gesture toward 18th century music," is in fact a near-contemporary of the symphony.) [9] Musicologist Richard Taruskin made a similar statement by calling the Third Symphony 'the first ...
The symphony is scored for 4 flutes (3rd and 4th doubling 1st and 2nd piccolo), 4 oboes (3rd and 4th doubling 1st and 2nd cor anglais), 3 clarinets (3rd doubling E-flat clarinet and bass clarinet), 4 bassoons (4th doubling contrabassoon), 6 horns, piccolo trumpet in D, 3 trumpets in C, 2 cornets in B flat, valve trombone, 3 tenor trombones, bass trombone, 3 tubas, 2 sets of timpani, 6 ...
A page from the score of the symphony. Many passages in the Symphony no. 3 employ Lutosławski's by-then well developed technique which he called "limited aleatorism", in which the individual players in the orchestra are each asked to play their phrase or repeated fragment in their own time — rhythmically independent from the other musicians.
[3] Finally, in the fourth movement, Prokofiev reprises musical materials from earlier in the symphony, beginning at a comfortable andante pace and gradually accelerating. The themes of the opening movement are threaded into the narrative before the Third comes to rest on a fearsome juggernaut of violent chords. [3] [4]