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The album was identified by Chris Kelsey in his AllMusic essay "Free Jazz: A Subjective History" as one of the 20 Essential Free Jazz Albums. [7] In its ninth edition, The Penguin Guide to Jazz awarded the album a "crown" accolade, in addition to a four star rating. [16] The album was inducted into the Grammy Hall of Fame in 2015. [8]
The Gauss Speaker Company, later known as Cetec Gauss, was a Sun Valley loudspeaker company. They were approved by Fender Musical Instruments Corporation [ 1 ] and found widespread use among rock musicians of the 1960s through the 1990s [cite?] .
The Adagio and Rondo Concertante (Adagio e Rondo concertante) in F major for piano quartet, D 487, was composed by Franz Schubert in 1816. A "brilliant" work designed as a display piece for the piano soloist, it is not only one of the few works the composer wrote in this style, but it is his first complete composition for piano and string ensemble, preceding the "Trout" Quintet" by three years.
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The speaker is supplied with heavy stands made from welded square cross-section tubing, to which top and bottom spikes are fitted prior to positioning the speaker cabinet. [14] Input connections are established through 3-pin XLR connectors. [4] Later versions and the PMS version have banana sockets (see image).
Black Angels, subtitled "Thirteen Images from the Dark Land", is a work for "electric string quartet" by the American avant-garde composer George Crumb.It was composed over the course of a year and is dated "Friday the Thirteenth, March 1970 (in tempore belli)" as written on the score. [1]
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
"Quartet No. 1" uses a 1-chord (G altered) solo vamp over a rock beat in 3/4, and a repeated theme that uses stacked fourths. The third track, "Quartet No. 2 (Part I)" is a ballad , dedicated to jazz pioneer Duke Ellington , incorporating many of the Western classical harmonies and tensions that Ellington used in much of his playing.