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The soundtrack of the film The Sound of Music, music and lyrics by Rodgers and Hammerstein, was released in 1965 by RCA Victor and is one of the most successful soundtrack albums in history, having sold more than 20 million copies worldwide. [1] [2] The soundtrack has been issued in German, Italian, Spanish and French. [3]
Lyrics Allows users to provide annotations and interpretation of song lyrics. Musixmatch: Lyrics Audio based music recognition and provision of song lyrics. Yes. SecondHandSongs: Covers User-generated database of covers and samples of songs, with links to public recordings. >1,100,000 performances >100,000 works Multilingual recordings.
The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp , The Story of the Trapp Family Singers .
The lyrics reflect an endorsement of the bacchanalian mayhem of student life while simultaneously retaining the grim knowledge that one day we will all die. The song contains humorous and ironic references to sex [1] and death, and many versions have appeared following efforts to bowdlerise this song for performance in public ceremonies.
"The Sound of Music" is the title song from the musical of the same name that premiered in 1959. It was composed by Richard Rodgers with lyrics written by Oscar Hammerstein II . The song introduces the character of Maria , a young novice in an Austrian abbey.
While that kind of breaks our hearts a little, the 80-year-old actress did have a good reason for disliking the song back when the film was made over 50 years ago. "The lyrics were a bit inane.
"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
The song is a confession of love between Maria Kutschera and Captain Georg von Trapp. It appears in the film shortly after Maria returns to the house and after the Captain and Baroness Schräder have their falling out. [4] A 2004 article of American Music said that the song could be interpreted on two levels. The magazine asserted that on a ...