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Van Dyck's portraits of Charles on horseback echo the imperial tone of Titian's equestrian portrait of Emperor Charles V from 1548, itself inspired by equestrian portraits of Roman emperors. [3] In c.1620, Van Dyck painted a similar portrait of Charles V. The composition may also borrow from Dürer’s 1513 engraving Knight, Death and the Devil.
Prime version of van Dyck's first equestrian painting of Charles I, Charles I with M. de St Antoine, 1633 Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.
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Many equestrian portraits have been made of monarchs. Titian painted his Equestrian Portrait of Charles V in 1548. [7] Anthony van Dyck painted Charles I with M. de St Antoine in 1633 and Equestrian Portrait of Charles I in 1635, as well as Charles I at the Hunt (an equine portrait rather than an equestrian portrait as the king is dismounted) in 1637–1638. [8]
Equestrian Portrait of Charles I; List of paintings by Anthony van Dyck; Talk:Charles I of England/Archive 2; User:Amakuru/POTD 10; User:Jane023/100 great paintings from Duccio to Picasso; User:Jane023/Paintings by Anthony van Dyck; User:Jane023/Paintings in the National Gallery; User:Necrothesp/List of portraits; User talk:SchroCat/Archive 16
Original – Equestrian Portrait of Charles I (1637-38); Painted by the Flemish master Anthony van Dyck (1599 1641) during his spell as painter to the court of Charles I. This was painted not long before the civil war that led to Charles's execution. Reason An excellent scan of one of the Flemish Baroque greats, Anthony van Dyck (1599–1641)
Object history: 1746: in collection of Elisabeth Farnese ; 1766: in collection of Charles III of Spain ; 1788: in collection of Ferdinand VII of Spain ; References: Inv. Testamentaría Carlos III, Aranjuez, 1794, 83
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 [1] by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. [2]