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Kievan chant, or chant in Kyivan style (Russian: Киевский распев, romanized: Kievskiy raspev; Ukrainian: Київський розспів, romanized: Kyïvs'kyy rozspiv), is one of the liturgical chants common to the Russian Orthodox Church, the Ukrainian Orthodox Church and those churches that have their roots in the Moscow Patriarchate, such as the Orthodox Church in America.
Znamenny Chant (Russian: знаменное пение, знаменный распев) is a singing tradition used by some in the Russian Eastern Orthodox Church. Znamenny Chant is a unison , melismatic liturgical singing that has its own specific notation, called the stolp notation.
Nothing in Orthodox worship is simply said; it is always sung or chanted. Chanting in the Orthodox tradition can be described as being halfway between talking and singing; it is musical but not music. Only a few notes are used in chanting, and the chanter reads the words to these notes at a steady rhythm.
Byzantine music (Greek: Βυζαντινή μουσική, romanized: Vyzantiné mousiké) originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy.
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
The chant genre offertorium in traditions of Western plainchant was basically a copy of the Byzantine custom, but there it was a proper mass chant which changed regularly. [ 3 ] Although its liturgical concept already existed by the end of the 4th century (see the homily by Chrysostom quoted here), the cherubikon itself was created 200 years ...
Eventually, during the Polish Renaissance, the Kievan Orthodox Church fully adopted the polyphonic styles popular at the time. They retained the Znamenny chant, 8 echoi (glassy, melodically based Orthodox modes based upon the Byzantine idea), and scale, but adopted the descant style of their Catholic counterparts.
Phos Hilaron (Koinē Greek: Φῶς Ἱλαρόν, romanized: Fōs Ilaron) is an ancient Christian hymn originally written in Koine Greek.Often referred to in the Western Church by its Latin title Lumen Hilare, it has been translated into English as O Gladsome Light.