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Depictions of swans (genus Cygnus) in art. The swans' closest relatives include the geese and ducks . Swans are grouped with the closely related geese in the subfamily Anserinae where they form the tribe Cygnini .
The swan was "cemented in the imagination as a creature of romance for a whole generation of impressionable working class suburban kids". The anthropomorphic projection may not have been entirely random; [2] swans are believed to take a mate for life, and the graceful white birds might symbolize monogamous felicity. [2]
Art Academy, also known as Art Academy: Learn painting and drawing techniques with step-by-step training in the PAL regions and Artistic Taste Classroom DS [a] in Japan, is an art training software for the Nintendo DS. It was developed by Headstrong Games and published by Nintendo.
It has been proposed that Leonardo's Chatsworth sketch for Leda and the Swan (pictured) may have been inspired by the Laocoön Group, the ancient sculpture discovered in 1506: there is a similar twist to the subject's body; the curve of the swan's neck recalls the snake's lithe body in Laocoön's hand; the rape by Zeus evokes the forceful ...
The Dying Swan (originally The Swan) is a solo dance choreographed by Mikhail Fokine to Camille Saint-Saëns's Le Cygne from Le Carnaval des animaux as a pièce d'occasion for the ballerina Anna Pavlova, who performed it about 4,000 times.
It was a square work in tempera, representing Jupiter as a swan making love to a reclining Leda (based on a composition from ancient Roman gems and seals), an egg, and Castor and Pollux as children. The painting was completed by mid-October 1530, but Alfonso described it as a "little thing" in Michelangelo's hearing and so he refused to hand it ...
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The Threatened Swan (Dutch: De bedreigde zwaan) [1] is an oil painting of a mute swan made around 1650 by Dutch Golden Age painter Jan Asselijn. The work is in the collection of the Rijksmuseum in Amsterdam in the Netherlands. [1] It is 144 centimetres (57 in) high and 171 centimetres (67 in) wide.