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The baro't saya has multiple variants, known under the collective term Filipiniana, including the aristocratic traje de mestiza (also called the María Clara); the Visayan kimona with its short-sleeved or poncho-like embroidered blouse paired with a patadyong skirt; as well as the unified gown known as the terno, and its casual and cocktail ...
The masculine equivalent of baro't saya is the barong tagalog. [6] These traditional women's dresses in the Philippines are collectively known as Filipiniana dress. Along with the barong tagalog, they are also collectively known as "Filipiniana attire". [7] [8]
The traditional Baro't Saya was worn by the lowland people in Filipinas. It includes the blouse called "baro" and a skirt called "saya". It is the Archetype of every Filipiniana dress that has evolved throughout the colonial era of the Philippines. Today, the dress represents the rural life in the Philippines.
Barong tagalog (and baro't saya) were worn universally among Christianized lowlanders throughout the Philippines in the Spanish colonial period. Rather, the name was coined to distinguish the dress as native (hence "tagalog", i.e. Indio ), as opposed to the styles of dress of Europeans and other foreign cultures.
The baro was popularized as formal wear by Philippine president Ramon Magsaysay, who wore it to most official and personal affairs, including his inauguration as president. [2] The baro't saya (also known as Filipiniana) is an embroidered dress and is worn by women.
Filipina mestizas from the early 1800s with pañuelos over baro't saya, by Paul de la Gironiere La Bulaqueña , an 1895 painting of a woman wearing a traje de mestiza with a pañuelo La Mestisa by Justiniano Asuncion (c. 1841), showing a woman in a striped baro't saya with a pañuelo
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However, most of these later evolved into a component of the baro't saya worn over a longer skirt (the saya or falda) due to Spanish influence. Some of them survive among more isolated highlander groups like among the Ifugao people. [1] [2]