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A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
An often-cited definition of music is that it is "organized sound", a term originally coined by modernist composer Edgard Varèse [15] in reference to his own musical aesthetic. Varèse's concept of music as "organized sound" fits into his vision of "sound as living matter" and of "musical space as open rather than bounded". [16]
In live sound or recordings in which a microphone is placed in front of an instrument or a guitar amplifier, the "sweet spot" is a placement or position of a microphone which yields the most pleasing sound; in the context of listening to a mix in a studio through monitor speakers, the "sweet spot" is a distance away from the speakers that the ...
The first one claims that the foundation for musical scales and for the existence of a tonal centre in music can be seen in the physical basis of overtone series or in the psychoacoustic properties of chord in tonal music respectively. But in recent time there is strong evidence for the second point of view that syntax reflects abstract ...
Large images giving segments of music or depicting features of music should be displayed in thumbnails on the left or center of the page at 550px for visibility. For example, most melodies and scales should be displayed this way, while chords and simultaneities should be displayed to the right as small as reasonably visible.
In this example sound, a common element, is excluded, while gesture, a less common element, is given primacy. However Nattiez goes on to say that despite special cases where sound is not immediately obvious (because it is heard in the mind): "sound is a minimal condition of the musical fact". [22]
Styles of popular music that frequently employ non-lexical vocables include: A cappella (singing without instrumental accompaniment, sometimes accompanied by a chorus of nonsense syllables) Doo-wop (style of rhythm and blues music that often employs nonsense syllables) Scat singing influenced the development of doo-wop and hip hop.
The accuracy of tempo within an auditory image usually suffers when recalled; however, the consistency of a person's perception of tempo is preserved. When surveying subject's auditory imagery, their sense of tempo usually stays within 8% of the original tempo heard in a song that the subject heard at some point in the past. [1]