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A Witness Tree is a poetry collection by Robert Frost, most of which are short lyric, first published in 1942 by Henry Holt and Company in New York. The collection was awarded the Pulitzer Prize for Poetry in 1943.
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
A Boy's Will is a poetry collection by Robert Frost, and is the poet's first commercially published book of poems.The book was first published in 1913 by David Nutt in London, with a dedication to Frost's wife, Elinor.
Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
Portrait of Marjorie Fleming during her last illness. From a water-colour drawing, probably by Miss Isa Keith, 1811. [1] Marjorie Fleming (also spelt Marjory; 15 January 1803 – 19 December 1811) was a Scottish child writer and poet. She gained appreciation from Robert Louis Stevenson, Leslie Stephen, and possibly Walter Scott.
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1] The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4] Illustrations for the collection were provided by Frost's friend ...
5. “Children aren’t coloring books. You don’t get to fill them with your favorite colors.” – Khaled Hosseini 6. “Children must be taught how to think, not what to think ...
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]