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Image by Lars Vilks published in Nerikes Allehanda adjacent to the editorial. The Lars Vilks Muhammad drawings controversy began in July 2007 with a series of drawings by Swedish artist Lars Vilks that depicted the Islamic prophet Muhammad as a roundabout dog (a form of street installation in Sweden).
In a story on morals at the end of the millennium in December 1999, the German news magazine Der Spiegel printed on the same page pictures of “moral apostles” Muhammad, Jesus, Confucius, and Immanuel Kant. In the subsequent weeks, the magazine received protests, petitions and threats against publishing the picture of Muhammad.
The Jyllands-Posten Muhammad cartoons controversy (or Muhammad cartoons crisis, Danish: Muhammed-krisen) [1] began after the Danish newspaper Jyllands-Posten published twelve editorial cartoons on 30 September 2005 depicting Muhammad, the founder of Islam, in what it said was a response to the debate over criticism of Islam and self-censorship.
La ilaha illallah, Muhammadun rasulullah (English translation: "There is no god but Allah and Muhammad is Allah’s messenger"). White background with Shahadah written in Islamic calligraphy is currently used as the present-day flag of Afghanistan.
The use of the greeting differs when interacting with non-Muslims such as people of the book (ahlul kitab). Some scholars are divided on the issue. Most believe that when greeted by non-Muslims, Muslims can only respond by stating "wa ʿalaykum" ("and upon you") instead of the longer version, while others suggest replying with a salam.
Why do you ban (for you) that which Allah has made lawful for you?. ..(up to) If you two (wives of the Prophet (ﷺ) turn in repentance to Allah.' (66.1-4) The two were 'Aisha and Hafsa And also the Statement of Allah: 'And (Remember) when the Prophet (ﷺ) disclosed a matter in confidence to one of his wives!' (66.3) i.e., his saying, "But I ...
Muhammad: The Messenger of God (Persian: محمد رسولالله, romanized: Mohammad Rasulollah) is a 2015 Iranian Islamic epic film directed by Majid Majidi and co-written with Kambuzia Partovi.
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