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Ema at Itsukushima Shrine. Ema (絵馬, lit. ' picture-horse ') are small wooden plaques, common to Japan, in which Shinto and Buddhist worshippers write prayers or wishes. Ema are left hanging up at the shrine, where the kami (spirits or gods) are believed to receive them.
After the flat sheets of copper were produced, designs were then embossed into the surfaces probably with stone, bone or wooden tools. Frank Hamilton Cushing, an anthropologist working in the early 20th century, worked out a method for flattening and embossing the plates. He hammered raw nuggets of copper smooth and removed imperfections by ...
During the Renaissance, Florence was renowned throughout Europe as a centre of fine art, particularly in painting, gold gilding, bronze work, and furnishings inlaid with intricate designs in marble or rare wood. The fine craft traditions associated with some of these arts never entirely died out in Florence, and remained well-established up to ...
Some are slips or sheets of paper, others like the Jingū Taima are thin rectangular plaques (kakubarai/kakuharai (角祓)) enclosed in an envelope-like casing (which may further be covered in translucent wrapping paper), while still others are wooden tablets (kifuda) which may be smaller or larger than regular shinsatsu.
The Rinnegan Crucifixion Plaque (also known as the Athlone Crucifixion Plaque) is a late 7th or early 8th century Irish gilt-bronze crucifixion plaque sculpture found in the 19th century in the churchyard of St. John’s on the head of Lough Ree in Rinnegan County Westmeath, and near Athlone, County Roscommon. [3]
Jules Leleu was a traditional furniture designer who moved smoothly into Art Deco in the 1920s; he designed the furniture for the dining room of the Élysée Palace, and for the first-class cabins of the steamship Normandie. his style was characterized by the use of ebony, Macassar wood, walnut, with decoration of plaques of ivory and mother of ...