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This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
The St Crispin's Day speech is a part of William Shakespeare's history play Henry V, Act IV Scene iii(3) 18–67. On the eve of the Battle of Agincourt , which fell on Saint Crispin's Day , Henry V urges his men, who were vastly outnumbered by the French, to imagine the glory and immortality that will be theirs if they are victorious.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
[4] While many critics agree with Peguiney and Booth, and have said that this sonnet is a veiled attempt on the part of the speaker to actually invoke the youth to mourn him, some critics believe differently. Helen Vendler writes that "There are also, I believe, sonnets of hapless love--intended as such by the author, expressed as such by the ...