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Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.
Produce wax patterns: Although called wax patterns, pattern materials may also include plastic and frozen mercury. [6] Wax patterns can be produced in one of two ways. In one process, the wax is poured into the mould and swished around until an even coating, usually about 3 mm (0.12 in) thick, covers the inner surface of the mould.
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Lost-foam casting (LFC) is a type of evaporative-pattern casting process that is similar to investment casting except foam is used for the pattern instead of wax. This process takes advantage of the low boiling point of polymer foams to simplify the investment casting process by removing the need to melt the wax out of the mold.
Dhokra (also spelt Dokra) is non–ferrous metal casting using the lost-wax casting technique. This sort of metal casting has been used in India for over 4,000 years and is still used. One of the earliest known lost wax artifacts is the dancing girl of Mohenjo-daro. [1]
Wax patterns are used in an alternative casting process called investment casting. A combination of paraffin wax, bees wax and carnauba wax is used for this purpose. In this case the wax "pattern" is melted out from the mould cavity which is normally a rigid plaster like material rather than sand, so the wax "pattern" can only be used once. [5]
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Wax carving is the shaping of wax using tools usually associated with machining: rotary tools, saws, files and burins or gravers. Actual knives can be used and most certainly are, but the hardness of the material is such that they are not the ideal tool, generally.