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Several chants were recorded by brothers of the Community, in the Romanesque Church in the village of Taizé. [4] [5] [6] The recording was produced by Anna Barry. [7] The chants on the album are sung in seven different languages: Latin, French, English, Italian, German, Church Slavonic and Spanish. The Community considers that the songs in ...
www.taize.fr The Taizé Community ( French : Communauté de Taizé ) is an ecumenical Christian monastic community in Taizé , Saône-et-Loire , Burgundy , France. It is composed of about one hundred brothers, from Catholic and Protestant traditions, who originate from about thirty countries around the world.
The song is often sung in the Church of Reconciliation of the Communauté de Taizé "Meine Hoffnung und meine Freude" (lit: My hope and my joy) is a 1988 hymn of the Communauté de Taizé.
In 1960, a translation, "Where Charity and Love Prevail", was copyrighted, set to the hymn tune CHRISTIAN LOVE in common metre; [1] Dom Paul Benoit, OSB adapted this tune [2] from the chant tune for Veni redemptor gentium. The Taizé chant by Jacques Berthier (1978) uses only the words of the refrain, with verses taken from I Corinthians 13:2-8.
Berthier was born in Auxerre, Burgundy; both of his parents were musicians - his father Paul was the kapellmeister and organist at the Auxerre Cathedral.Learning first from his parents, Berthier was trained in music at the École César Franck in Paris.
The text of "Dona nobis pacem" is a short prayer for peace from the Agnus Dei of the Latin mass.[1] [2] [3] In the round for three parts, it is sung twice in every line. [4]The melody has been passed orally. [4]
The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points. These marks are known in English as 'accents' ( diacritics ), 'notes' or trope symbols , and in Hebrew as taʿamei ha-mikra ( טעמי המקרא ) or just teʿamim ( טעמים ).
Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech.