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One hope is too like despair For prudence to smother, And pity from thee more dear Than that from another. I can give not what men call love; But wilt thou accept not The worship the heart lifts above And the Heavens reject not: The desire of the moth for the star, Of the night for the morrow,
The poem is set against a backdrop of rising social problems in the United Kingdom during the 1980s and can be considered critical of Thatcherism. [5] The poem references Gloucester's lines in Act 4 of King Lear , “As flies to wanton boys are we to the Gods/ They kill us for their sport”, lines which show how humankind is at the whim of the ...
‘He took her face in his hands. ‘“One for sorrow, two for joy”’ he said. “I’ll give you the rest when you’re in a more yielding frame of mind. It wouldn’t do to finish the rhyme tonight.”’
Night and day my blood it drains My heart to death it aches. I have loved all this past year So that I may love no more; I have sighed many a sigh, Beloved, for thy pity, My love is never thee nearer, And that me grieveth sore; Sweet loved-one, think on me, I have loved thee long. Sweet loved-one, I pray thee, For one loving speech;
Other poems apparently alluding to the "midnight poem" include Elizabeth Bishop's "Insomnia" – whose first line fits the meter used in the Greek fragment, and which shares setting and tone with it – and H.D.'s "Night", which is thematically linked with the poem, also concerned with the passage of time and isolation. [39]
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
The character, Mattie Silver, from Ethan Frome (1911), has few life skills but can recite "Curfew shall not ring to-night." [10] Three silent films were made based on the poem. For two of the films, the title was modified to Curfew Shall Not Ring Tonight. No sound version has been made, but later 20th century films referred to this poem.
The text of the poem reflects the thoughts of a lone wagon driver (the narrator), on the night of the winter solstice, "the darkest evening of the year", pausing at dusk in his travel to watch snow falling in the woods. It ends with him reminding himself that, despite the loveliness of the view, "I have promises to keep, / And miles to go ...