Ads
related to: using wax resist on pottery barn car lamp shades
Search results
Results From The WOW.Com Content Network
The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
Resist dyeing has been very widely used in Asia, Africa, and Europe since ancient times. The earliest extant pieces of resist-dyed fabric were found in Egypt, dating to the 4th century AD. [citation needed] Cloths used for mummy wrappings were sometimes coated with wax, scratched with a sharp stylus, and dyed with a mixture of blood and ashes.
The wax resist-dyeing technique has been used for centuries in Java, where certain motifs had symbolic meaning and prescribed use, indicating a person's level in society. [57] It is an essential component in the attires of Javanese royal palaces, [ 58 ] [ 59 ] worn by monarchs, nobilities, abdi (palace staff), guards, and dancers .
The lamp-foot was made from a human foot and shinbone; on the shade one saw tattoos and even nipples. On the occasion of the birthday party of Koch [August 1941] he was tasked by the camp doctor Hoven to bring the lamp to the Kochs' villa. This he did. One of the party guests told him later that the presentation of the lamp had been a huge success.
The process to make wax print is originally influenced by batik, an Indonesian method of dyeing cloth by using wax-resist techniques. For batik, wax is melted and then patterned across the blank cloth. From there, the cloth is soaked in dye, which is prevented from covering the entire cloth by the wax. If additional colours are required, the ...
Raku is a unique form of pottery making; what makes it unique is the range of designs that can be created by simply altering certain variables. These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay.