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The traditional wedding cord, also known as the "wedding lasso", is a piece of paraphernalia used in some Catholic wedding ceremonies. It is actually a representation of a loop of rosary beads made out of white satin or silk .
The “marriage dozen” is an old custom sacredly preserved and still in force in many parts of central France. In Berry and in Anjou, when a young girl marries, her family, or that of the husband, must give her a purse, in which they place, according to their means, twelve pieces, or twelve dozen pieces, or twelve hundred pieces of gold.
A lasso or lazo (/ ˈ l æ s oʊ / or / l æ ˈ s uː /), also called reata or la reata in Mexico, [1] [2] and in the United States riata or lariat [3] (from Mexican Spanish lasso for roping cattle), [4] is a loop of rope designed as a restraint to be thrown around a target and tightened when pulled.
Charro at the charrería event at the San Marcos National Fair in Aguascalientes City Female and male charro regalia, including sombreros de charro Mexican Charro (1828). ). Originally, the term "Charro" was a derogatory name for the Mexican Rancheros, the inhabitants of the countr
Territorial organization under the interim government of Mexico after the establishment of the Republic on May 21, 1823, and before the decree of the Constitutive Act of the Mexican Federation on January 31, 1824 – the period between the end of the First Mexican Empire and the creation of the Federal Republic of the United Mexican States.
Diseños are hand-drawn maps submitted to the U.S. government indicating the extent of a land grant as understood by the grantees. [9] Diseños and expedientes (written descriptions of the grants) were used during the U.S. land-patent process that began when Mexican Alta California became the U.S. state of California in 1850. [9]
Agustín Víctor Casasola (1874–1938) and his brother Miguel (1876–1951) were pioneers of photo reportage. From their photos of the Mexican Revolution, where they sold the prints but retained the negatives, the archive was begun by Agustín Victor and carried forward by his children Gustavo (1900–1982), Agustín (1901–1980),Ismael (1902–1964), Dolores (1907–2001), Piedad (1909 ...
As of 2016, the only "pure Mascogo" was 85-year old Lucía Vázquez, a result of frequent out-marriage in the community. [3] According to Homero Vásquez, an elderly Mascogo whose mother was from Chihuahua , starting in the 1930s there was an influx of farmers to the region resulting in an increase of marriage with outsiders. [ 3 ]