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Midnight blue is a dark shade of blue named for its resemblance to the apparently blue color of a moonlit night sky around a full moon. Midnight blue is identifiably blue to the eye in sunlight or full-spectrum light , but can appear black under certain more limited spectra sometimes found in artificial lighting (especially early 20th-century ...
This drawing style has also migrated into anime, as many manga are adapted into television shows and films and some of the well-known animation studios are founded by manga artists. In manga, the emphasis is often placed on line over form, and the storytelling and panel placement differ from those in Western comics.
Hiroshige also used Prussian blue extensively in his landscape prints. Other prominent Japanese artists to use it included Keisai Eisen , Utagawa Kunisada and Utagawa Sadahide . The theory that aizuri-e production was prompted by the 1842 sumptuary laws known as the Tenpō Reforms is no longer widely accepted.
Manga stories are typically printed in black-and-white—due to time constraints, artistic reasons (as coloring could lessen the impact of the artwork) [29] and to keep printing costs low [30] —although some full-color manga exist (e.g., Colorful). In Japan, manga are usually serialized in large manga magazines, often containing many stories ...
Tekkonkinkreet (Japanese: 鉄コン筋クリート, Hepburn: Tekkonkinkurīto), [a] also known as Black & White, is a Japanese manga series written and illustrated by Taiyō Matsumoto, originally serialized from 1993 to 1994 in Shogakukan's seinen manga magazine Big Comic Spirits.
Astro Boy (鉄腕アトム, Tetsuwan Atomu, lit."Mighty Atom"), sometimes referred to as New Mighty Atom (新・鉄腕アトム, Shin Tetsuwan Atomu), is a color remake of the 1960s anime black-and-white series of the same name, both series are adapted from the manga series by Osamu Tezuka.
Perfect Blue (Japanese: パーフェクトブルー, Hepburn: Pāfekuto Burū) is a 1997 Japanese animated psychological thriller film [5] [6] directed by Satoshi Kon. [7] It is loosely based on the novel Perfect Blue: Complete Metamorphosis (パーフェクトブルー：完全変態, Pāfekuto Burū: Kanzen Hentai) by Yoshikazu Takeuchi, with a screenplay by Sadayuki Murai.
Fumikane is well known for sparking the mecha shoujo boom of the 2000s with his line of mecha musume illustrations. During this time Fumikane provided illustrations for various dōjin and commercial hobbyist magazines some of which were turned into popular figurines and model kits by Toranoana and Konami.