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Leather painting differs from leather dyeing in that paint remains only on the surface while dyes are absorbed into the leather. Due to this difference, leather painting techniques are generally not used on items that can or must bend nor on items that receive friction, such as belts and wallets because under these conditions, the paint may crack or wear off.
In modern leather preservation, the original surface coating may be stripped completely off to provide a uniform replacement finish. This method is not advised for historical pieces, but is appropriate for reproductions and modern leather works, as they may prolong the life of the material without compromising the historical value or integrity.
Tanned leather. Tanning, or hide tanning, is the process of treating skins and hides of animals to produce leather. A tannery is the place where the skins are processed. Historically, vegetable based tanning used tannin, an acidic chemical compound derived from the bark of certain trees, in the production of leather. An alternative method ...
Distressing is viewed as a refinishing technique although it is the opposite of finishing in a traditional sense. In distressing, the object's finish is intentionally destroyed or manipulated to look less than perfect, such as with sandpaper or paint stripper. For example, the artisan often removes some but not all of the paint, leaving proof ...
Japanning is most often a heavy black lacquer, almost like enamel paint. Black is common, and japanning is often synonymous with black japanning. The European technique uses varnishes that have a resin base, similar to shellac, applied in heat-dried layers which are then polished, to give a smooth glossy finish. It can also come in reds, greens ...
This technique was used in cave paintings dating to 10,000 BC, where human hands were used in painting handprint outlines among paintings of animals and other objects. The artist sprayed pigment around his hand by using a hollow bone, blown by mouth to direct a stream of pigment. Screen printing also uses a stencil process, as does mimeography ...
shaving - the leather is thinned using a machine which cuts leather fibres off. neutralisation - the pH of the leather is adjusted to a value between 4.5 and 6.5. retanning - additional tanning agents are added to impart properties. dyeing - the leather is coloured. fatliquoring - fats/oils and waxes are fixed to the leather fibres.
The technique consisted of shaping panels of wet leather over wooden moulds, then painting them, then oil-gilding and lacquering them. Sometimes smooth panels of painted Cuir de Cordoue were used. Patterns for these panels followed fashions in silk damask , at some lag in time, since the high-relief wooden moulds were laborious to make.