Search results
Results From The WOW.Com Content Network
Bhairav is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat . [ 1 ] But there is no connection in the similarity between in the names of the thaat and the raga.
Bhairav is a Hindustani classical raga of Bhairav thaat. It is a sampurna raga that is traditionally performed in the morning and also as the beginning piece in concerts. It is the defining raga of its own Thaat .
Bhairavi makes use of all the Komal swaras, Rishabh, Gandhar, Dhaivat, Nishad. When singing compositions in Bhairavi raga, the singers however take liberty to use all the 12 swaras.
Ahir Bhairav is a Hindustani classical raga. It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri, [1] or perhaps a mixture of Bhairav and Kafi. [2] Important traditional Compositions. Some of the most important traditional compositions in Raag Ahir Bhairav are: Man Rangeele (Teental 32BPM Vilambit)
A thaat (IAST: thāṭ) is a "parent scale" in North Indian or Hindustani music.It is the Hindustani equivalent of the term Melakartha raga of Carnatic music. [1] [2] The concept of the thaat is not exactly equivalent to the western musical scale because the primary function of a thaat is not as a tool for music composition, but rather as a basis for classification of ragas. [2]
Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.
The non-quarter tone form is identical, in terms of notes, to the North Indian Thaat named Bhairav and the South Indian (Carnatic) Melakarta named Mayamalavagowla. The double harmonic scale is arrived at by either: lowering both the second and sixth of the Ionian mode by a semitone.
Nat Bhairav (or also written as Nut Bhairav) (Hindi: नट भैरव) is a Hindustani classical heptatonic raga of Bhairav Thaat. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga. [1] This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music.