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The geek shows were often used as openers for what are commonly known as freak shows. It was a matter of pride among circus and carnival professionals not to have traveled with a troupe that included geeks. Geeks were often alcoholics or drug addicts, and paid with liquor – especially during Prohibition – or with narcotics. In modern usage ...
Stan finds a new carnival and learns that his old carnival went out of business. Stan desperately pitches his mentalist act to the new owner, who rejects it based on Stan's appearance and the act being out of fashion. The owner then offers him a drink and "temporary" work as a geek. Stan accepts, breaking out laughing before bursting into tears.
Scudder is mentioned several times in the first season, revealing he once worked at the carnival's geek show and was Ruthie's lover. Scudder also had a relationship with Ben's mother once; Samson later confirms Scudder as Ben's father. Season 2 forces both Ben and Brother Justin to find Scudder for their own purposes.
Nightmare Alley is a 1947 American film noir directed by Edmund Goulding from a screenplay by Jules Furthman. [2] Based on William Lindsay Gresham's 1946 novel of the same name, it stars Tyrone Power, with Joan Blondell, Coleen Gray, and Helen Walker in supporting roles.
The carnival sets up in Babylon, and Samson invites the carnies for a party in the ghost town. After drinking too much, Ben wakes up in an abandoned mineshaft and finds AVATAR written on the walls. Sofie, the carnival's Tarot reader, hears Scudder's name from her catatonic mother, and the carnival night ends with a tragic death. Brother Justin ...
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The mentalist of the carnival, Lodz, was merely a mortal who had once received Avataric skills from Scudder in exchange for his sense of sight. [ 11 ] Several women in Carnivàle are tied to Avatars, but only two have Avataric blood: Belyakov's daughter Iris is a Vectorus by definition, [ 22 ] and Justin's daughter Sofie is the Omega. [ 39 ]
Grindhouse is an American term for a theater that mainly showed exploitation films. These theatres were most popular throughout the 1970s and early 1980s in New York City and other urban centers, mainly in North America, but began a long decline during the mid-1980s with the advent of home video.