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There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The text is available in two forms: either without the verse numbering, [83] or with verse numbering (1-84). [84] At the entrance of many pagodas, especially in tourist places, the Chú Đại Bi is made available to visitors, either printed on a single sheet in black and white, or as a color booklet on glossy paper.
Fulu for placement above the primary entrance of one's home, intended to protect against evil. Fulu (traditional Chinese: 符籙; simplified Chinese: 符箓; pinyin: fúlù) are Taoist magic symbols and incantations, [1] [2] translatable into English as 'talismanic script', [a] which are written or painted on talismans by Taoist practitioners.
Xingqi breath circulation continued developing during the Song (960-1279). Among the many progressive series of Daoist breath-circulating exercises ascribed to famous masters such as Chisongzi and Pengzu, one more complex set is attributed to the lesser-known Master Ning, the Ning xiansheng daoyin fa (寧先生導引法, Master Ning's Gymnastic ...
In both the Daode jing and the Cantong qi, the subject of these verses is the distinction between non-doing and doing (youwei), referred to as the ways of "superior virtue" (Chinese: 上德; pinyin: shàngdé) and "inferior virtue" (Chinese: 下德; pinyin: xiàdé), respectively.
The bagua (Chinese: 八卦; pinyin: bāguà; lit. 'eight trigrams') is a set of symbols from China intended to illustrate the nature of reality as being composed of mutually opposing forces reinforcing one another. Bagua is a group of trigrams—composed of three lines, each either "broken" or "unbroken", which represent yin and yang ...
The kuji-in, known here as Kuji-kiri, are used in a number of their meditations, both those related simply to their religious practice and those dealing with their martial arts; in some ways, they are used similarly to the Taoist ideas in Chinese internal martial arts (some of the ideas of Chinese internal arts are, however, incorporated in ...
This Chinese name sanbao originally referred to the Daoist "Three Treasures" from the Daodejing, chapter 67: "pity", "frugality", and "refusal to be 'foremost of all things under heaven'". [1] It has subsequently also been used to refer to the jing, qi, and shen and to the Buddhist Three Jewels (Buddha, Dharma, and Sangha).