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Rajesh Khanna (pronounced [rɑːˈdʒeːʃ kʰənˈnə]) (pronunciation ⓘ; born Jatin Khanna; 29 December 1942 – 18 July 2012) was an Indian actor, film producer and politician who worked in Hindi films.
Aakhri Khat (transl. The Last Letter) is a 1966 Bollywood film written and directed by Chetan Anand.This film marked the debut of Rajesh Khanna. [1] The music of the film is by Khayyam and lyrics by Kaifi Azmi; it includes the song "Baharon Mera Jeevan Bhi Sanwaro", sung by Lata Mangeshkar.
The film stars Rajesh Khanna and Leena Chandavarkar. The music is by Laxmikant Pyarelal with lyrics by Anand Bakshi. [1] It was based on Muslim Tahzeeb (culture) of the bygone Nawab era, wherein the a young rich Muslim man Yusuf agrees to marry a prostitute's daughter. The movie was released on 30 January 1971. [2]
Kati Patang (transl. The Severed Kite) is a 1971 Indian Hindi-language musical drama film produced and directed by Shakti Samanta. [3] The film stars Asha Parekh as a woman pretending to be a widow, and her ensuing trials and tribulations opposite her charming neighbour, played by Rajesh Khanna.
Avtaar is a 1983 drama film starring Rajesh Khanna and Shabana Azmi. It was directed by Mohan Kumar, and the music was by Laxmikant Pyarelal, and lyrics by Anand Bakshi. Avtaar was critically acclaimed and earned around ₹ 8 crore worldwide. [1] The film earned several Filmfare award nominations. Rajesh Khanna received an All-India Critics ...
Apna Desh (transl. Our country) is a 1972 Indian Hindi-language action drama film, produced by A.V. Subramaniam and T.M.Kittu and directed by Jambu.The film stars Rajesh Khanna, Mumtaz, Om Prakash, Jagdeep, Mukkamala, Madan Puri and the credited Roja Ramani, who plays Rajesh Khanna's niece Sharda.
The film stars Rajesh Khanna and Zeenat Aman in the lead supported by Prem Chopra, Asrani, Madan Puri, Yogeeta Bali and Asit Sen. The film's music is by R.D. Burman. The song Hum Dono Do Premi is a four-minute train sequence in the film and it was the first song to be shot fully on the top of the train.
Pyarelal quoted in an interview "Rajesh Khanna had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R. D. Burman) and we accepted Shakti Samanta's Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him."