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The Barcelona chair is a chair designed by Ludwig Mies van der Rohe and Lilly Reich, [1] [2] for the German Pavilion at the International Exposition of 1929, hosted by Barcelona, Catalonia, Spain. The chair was first used in Villa Tugendhat , a private residence, designed by Mies in Brno ( Czech Republic ).
For the Barcelona Pavilion, that methodology spawned, among other furnishings, the Barcelona chair, a lounge seat that’s endured as a design icon for almost a century.
"an important chair, a very elegant chair and costly. It had to be monumental. You couldn't just use a kitchen chair" Mies 1929." Our original text: "Constructing the Chair frame in stainless steel meant that the whole frame could now be made from one fluid piece of metal.
In appearance, the Tugendhat chair is somewhat of a hybrid of van der Rohe and Reich's 1929 Barcelona chair and 1929–1930 Brno chair. Like the Barcelona chair, the Tugendhat chair has a large padded leather seat and back, supported by leather straps mounted on a steel frame and legs. However, like one variant of the Brno chair, the frame is ...
Butterfly chair (BKF chair) designed in 1938 by Bonet, Kurchan and Ferrari-Hardoy (Argentina); a light folding metal frame with a large cloth or leather sling hung from the frame's four high points [10] ButtOn Chair, designed for "fidgety children" in classrooms. Like a stool with a seat that tilts and requires active balance. [11]
During the reign of James VI & I (1603–1625), the Baroque style emerged, and stitched edging appeared, meaning bespoke shapes could be created by stitched cushion pads on wooden frames, allowing for the first time design and artistic flair to become a hallmark of upholstered furniture of the age. Farthingale chairs (without arms, see below ...