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"The Critic as Artist" is an essay by Oscar Wilde, containing the most extensive statements of his aesthetic philosophy. A dialogue in two parts, it is by far the longest one included in his collection of essays titled Intentions published on 1 May 1891.
The two words both translate as critique, Kritik, and critica, respectively. [9] In the English language, philosopher Gianni Vattimo suggests that criticism is used more frequently to denote literary criticism or art criticism while critique refers to more general writing such as Kant's Critique of Pure Reason. [9]
Philosophy is the application of critical thought, [3] and is the disciplined practice of processing the theory/praxis problem.In philosophical contexts, such as law or academics, critique is most influenced by Kant's use of the term to mean a reflective examination of the validity and limits of a human capacity or of a set of philosophical claims.
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A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature.Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods.
Social criticism can be expressed in a fictional form, e.g. in a revolutionary novel like The Iron Heel (1908) by Jack London, in dystopian novels like Aldous Huxley's Brave New World (1932), George Orwell's Nineteen Eighty-Four (1949), Ray Bradbury's Fahrenheit 451 (1953), amd Rafael Grugman's Nontraditional Love (2008), or in children's books or films.
The Critique of Pure Reason (German: Kritik der reinen Vernunft; 1781; second edition 1787) is a book by the German philosopher Immanuel Kant, in which the author seeks to determine the limits and scope of metaphysics.
The Critique of Judgment (German: Kritik der Urteilskraft), also translated as the Critique of the Power of Judgment, is a 1790 book by the German philosopher Immanuel Kant. Sometimes referred to as the "third critique", the Critique of Judgment follows the Critique of Pure Reason (1781) and the Critique of Practical Reason (1788).