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"I Ain't Got Nobody" is best known in a form first recorded by Louis Prima in 1956, where it was paired in a medley with another old standard, "Just a Gigolo".Prima started pairing the songs in 1945 and the idea was revisited in the popular arrangement in a new, jive-and-jumping style, created by Sam Butera for Prima's 1950s Las Vegas stage show.
"Just a Gigolo" is best known in a form recorded by Louis Prima in 1956, where it was paired in a medley with another old standard, "I Ain't Got Nobody" (words by Roger A. Graham and music by Spencer Williams, 1915). This pairing links the life of a gigolo ("people know the part I'm playing, paid for every dance..."), to the outcome of the ...
It ain't over till/until it's over; It ain't over till the fat lady sings; It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so; It goes without saying; It is a small world; It is all grist to the mill; It is an ill wind (that blows no one any good) It is best to be on the safe side
English: "I Ain't Got Nobody" (sometimes referred to as "I'm So Sad and Lonely" or "I Ain't Got Nobody Much") is a popular song copyrighted in 1915. Roger A. Graham (1885–1938) wrote the lyrics, Spencer Williams composed it and Roger Graham Music Publishing published it.
"I Ain't Got Nobody", performed by Patti Smith "I'll See You in My Dreams", performed by Matt Berninger; Track listing adapted from Pitchfork. [4]
Miller's influence on early country music is most apparent in Hank Williams's cover of the 1922 Friend–Mills song "Lovesick Blues" and Bob Wills's recording of "I Ain't Got Nobody", both of which closely resemble Miller's versions, and George Strait's Western Swing cover of "Right or Wrong".
Ain't Nobody Got Time for That is a viral YouTube video of Kimberly "Sweet Brown" Wilkins being interviewed after having escaped a fire in an apartment complex. It originally aired on April 8, 2012, on Oklahoma City NBC affiliate KFOR-TV .
"If I Ain't Got You" is a song recorded by American singer-songwriter Alicia Keys for her second studio album The Diary of Alicia Keys (2003). Inspired by the 2001 death of singer Aaliyah , the September 11 attacks , and other events in the world and in Keys' life, the song is about "how material things don't feed the soul".