Search results
Results From The WOW.Com Content Network
Reviewing for AllMusic, critic Stephen Thomas Erlewine wrote of the album, "Ferry has never felt quite so comfortable as he does here, and if that may not be exactly what all listeners are looking for when they listen to his work, this is the quality that will make Dylanesque a small understated gem for certain segments of his die-hard fans."
One of Ferry's lasting legacies in the house is the clearing of the floor prior to the start of a session. On March 31, 1869, Ferry moved that the House adopt a rule which required the House Doorkeeper to clear the floor of visitors and non-privileged employees ten minutes before the start of a session. The rule was later changed to fifteen ...
Robert Christgau found that Ferry "both undercuts the inflated idealism of [Bob Dylan's 'A Hard Rain's a-Gonna Fall'] and reaffirms its essential power", establishes Lesley Gore's "It's My Party" as a protest song, and with his cover of "These Foolish Things", "reminds us that pop is only, well, foolish things, many of which predate not only Andy Warhol but rock and roll itself."
The script was rewritten to make it a smaller, weirder, and more esoteric version in respect of the scenes that he has left out before. [36] Del Toro later stated that Tom Cruise feels too old to star in the film. [37] Del Toro also stated that the film could be a stop-motion film. [38] Atuk: A film adaptation of the novel The Incomparable Atuk.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Tim DiGravina of AllMusic wrote of the album, "Some listeners might suggest that an album this varied has an identity crisis, but with [these] standout tracks as glorious as the Dylan covers and the Eno closer, Frantic is a fascinating addition to Bryan Ferry's accomplished discography."
If you went into Netflix’s “A Man in Full” thinking about the 1998 novel by Tom Wolfe, the final episode was likely a shock. ... “I probably saw the script about halfway through the season ...
From “Can’t Let Go,” an extraordinarily dramatic account of a lover in exile, to “Hold On I’m Coming,” the latest in Ferry’s string of unlikely and successful covers, the record is glamorous, bitter, effete and passionate. As always, Ferry sings in the voice of Dracula risen from the grave—risen to tell us how much he cares. [6]