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Some video cameras and consumer camcorders are able to record in progressive "24 frames/s" or "23.976 frames/s". Such a video has cinema-like motion characteristics and is the major component of the so-called film look. For most 24 frames/s cameras, the virtual 2:3 pulldown process is happening inside the camera.
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
The term telecine refers both to a film-to-tape transferring machine, as well as the process by which film is transferred to tape (or directly to a digital file). [1] The telecine process is frequently used by filmmakers to transfer production footage to video, which can then be captured by various non-linear digital editing systems (e.g., Final Cut Pro, Avid, etc.).
In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible. [1] For many years the term "preservation" was synonymous with "duplication" of film. The goal of a preservationist was to create a durable copy without any significant loss of quality. In more modern terms, film ...
Digital media playback of high-resolution 2K files has at least a 20-year history. Early video data storage units fed custom frame buffer systems with large memories. In early digital video units, the content was usually restricted to several minutes of material. Transfer of content between remote locations was slow and had limited capacity.
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