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Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues.
Postmodernism encompasses a wide range of artistic movements and styles. In visual arts, pop art, conceptual art, feminist art, video art, minimalism, and neo-expressionism are among the approaches recognized as postmodern. [79] The label extends to diverse musical genres and artists: John Cage, Madonna, and punk rock all meet postmodern ...
These characteristics are normally lacking in postmodernism or are treated as objects of irony. Postmodernism arose after World War II as a reaction to the perceived failings of modernism, whose radical artistic projects had come to be associated with totalitarianism [ 4 ] or had been assimilated into mainstream culture.
Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism, if romanticism is the (often frustrated) quest for metaphysical truths about character, nature, a higher power and meaning in the world. [11] Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse.
List of postmodern critics; List of postmodern writers; Postmodern literature; Postmodern art; Postmodern film and television; Graphic novel; Criticism of postmodernism; Pop culture fiction; Literary fiction
Postmodern picture books are a specific genre of picture books. Characteristics of this unique type of book include non-linear narrative forms in storybooks, books that are "aware" of themselves as books and include self-referential elements, and what is known as metafiction .
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment.
Theories of the Postmodern: 55–66. Surrealism Without the Unconscious: 67–96. Spatial Equivalents in the World System: 97–129. Reading and the Division of Labor: 131–153. Utopianism After the End of Utopia: 154–180. Immanence and Nominalism in Postmodern Theoretical Discourse: 181–259. Postmodernism and the Market: 260–278.