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Ann Radcliffe. Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet. Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1] Radcliffe was the most popular writer of ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which ...
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism.
Lenore" is generally characterised as being part of the 18th-century Gothic ballads, and although the character that returns from its grave in the poem is not considered to be a vampire, the poem has been very influential on vampire literature. [2]
As the century progressed, "graveyard" poetry increasingly expressed a feeling for the "sublime" and uncanny, and an antiquarian interest in ancient English poetic forms and folk poetry. The "graveyard poets" are often recognized as precursors of the Gothic literary genre, as well as the Romantic movement.
Charlotte Smith (writer) Charlotte Smith (née Turner; 4 May 1749 – 28 October 1806) was an English novelist and poet of the School of Sensibility whose Elegiac Sonnets (1784) contributed to the revival of the form in England. She also helped to set conventions for Gothic fiction and wrote political novels of sensibility.
Rappaccini's Daughter is a Gothic story. Beatrice is socially and physically isolated from the rest of the world. Due to supernatural causes or due to Dr Rappaccini's mysterious scientific experiments, she seems to belong to the garden only, a flower among flowers: she lives a happy life until she meets Giovanni, with whom she falls in love.
The Castle of Otranto is the first supernatural English novel and is a singularly influential work of Gothic fiction. [ 1 ] It blends elements of realist fiction with the supernatural and fantastical, establishing many of the plot devices and character types that would become typical of the Gothic novel: secret passages, clanging trapdoors ...