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"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
Modern Love reflects in part Meredith's own disillusionment after his wife Mary Ellen, the widowed daughter of Thomas Love Peacock, left him for the painter Henry Wallis and had a child by him. The poem was not written until after her death in 1861, however, and cannot be regarded as autobiographical.
The word "love" appears thirteen times in this collection of thirteen short poems (and the word "heart" appears almost as frequently) in a variety of contexts. Sometimes romantic love is intended, in tones that vary from sentimental or nostalgic ("O sighing grasses,/ Vainly your loveblown bannerets mourn!") to scathing ("They mouth love's ...
"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
The fourth book has ten poems addressed mostly to friends. Poem 1 expresses his love of poetry and the solace it brings; while 2 describes a triumph of Tiberius. Poems 3–5 are to friends, 7 a request for correspondence, and 10 an autobiography. The final book of the Tristia with 14 poems focuses on his wife and friends.
The last complete poem written by Poe, it was published shortly after his death in 1849. The speaker of the poem talks about a lost love, Annabel Lee, and may have been based on Poe's own relationship with his wife Virginia, though that is disputed.
Catullus's carmina can be divided into three formal parts: short poems in varying metres, called polymetra (1–60); nine (if 68 is split into two) longer poems (61–68b), of which the last five are in elegiac couplets; and forty-eight epigrams (69–116), all in elegiac couplets. Since a scroll usually contained between 800 and 1100 verses ...
Amoretti breaks with conventional love poetry in a number of ways. In most sonnet sequences in the Petrarchan tradition, the speaker yearns for a lover who is sexually unavailable. Not only is there a conflict between spiritual and physical love, but the love object is often already married; it is an adulterous love.