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The Crusaders played a wide assortment of genres, including straight ahead jazz, urban R&B, R&B-based jazz, and the blues. The band reached a commercial apex in 1979 with their hit single " Street Life ", featuring lead vocals by Randy Crawford , and their accompanying album of the same name .
The Best of the Jazz Crusaders: World Pacific ST-20175 13 1973 Tough Talk: Blue Note BN-LA170-G2 — 1975 The Young Rabbits: BN-LA530-H2 — 1980 Live Sides: LT-1046 — 1993 The Best Of... Pacific Jazz CDP 077778928324 — 2005 The Pacific Jazz Quintet Studio Sessions: Mosaic MD6-230 — "—" denotes releases that did not chart.
Soul Hits (1963) Jazz Waltz (1963) Spanish Onions (1964) The Jazz Crusaders chronology; ... The Jazz Crusaders. Wayne Henderson - trombone; Wilton Felder - tenor ...
In the 1970s, as the Jazz Crusaders became simply the Crusaders and branched out into popular sounds, Sample became known as a Los Angeles studio musician, appearing on recordings by Joni Mitchell, Marvin Gaye, Miles Davis, B. B. King, Randy Crawford, George Benson, Joe Cocker, Michael Franks, Anita Baker(1994) and Steely Dan. [5]
This is one [of] the most intimate jazz shows captured on tape during the 1960s. It gives record buyers the sound of a band in full possession of their considerable capabilities, celebrating them in a relaxed environment, playing their own brand of grooved-out '60s jazz".
Street Life is a studio album by the American jazz band the Crusaders. It was a top 20 album on three Billboard charts and represents the peak of the band's commercial popularity. The title track, featuring singer Randy Crawford, was a Top 40 pop single (No. 36) and became the group's most successful entry on the soul chart (No. 17). [1]
Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5 's hits " I Want You Back " and " ABC " and on Marvin Gaye 's " Let's Get It On ".
AllMusic rated the album with 4 stars; in his review, Scott Yanow said: "In the 1960s the Jazz Crusaders managed to be both accessible and creative, funky and swinging, traditional (with the influence of R&B and gospel) yet modern; no wonder the group was so popular in the jazz world". [3]