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The tanpura (Sanskrit: तंबूरा, romanized: Taṃbūrā; also referred to as tambura, tanpuri, tamboura, or tanpoura) is a long-necked, plucked, four-stringed instrument originating in the Indian subcontinent, found in various forms in Indian music. [1] Visually, the tanpura resembles a simplified sitar or similar lute-like instrument ...
The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India.
[1] [7] Until the early twentieth century, the names chambar and jumbush were applied to instruments in northern Iraq. [1] In India the name was applied to the tanpura (tambura), a fretless drone lute. [1] Tanbur traveled through Al-Hirah to the Arabian Peninsula and in the early Islam period went to the European countries.
In fact, in recent decades, especially outside South Asia, instrumental Hindustani music is more popular than vocal music, partly due to a somewhat different style and faster tempo, and partly because of a language barrier for the lyrics in vocal music. Many musical instruments are associated with Hindustani classical music.
A 19th century sarod, at the Metropolitan Museum of Art. The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent.Along with the sitar, it is among the most popular and prominent instruments. [1]
Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was an Indian classical sitar player, [1] [2] considered by many to be the greatest sitarist of his age. [3] Along with Imdad Khan, Enayat Khan, and Imrat Khan, he is credited with the creation and development of gayaki ang (a technique that emulates the vocal melisma of Hindustani classical music) on the sitar.
Side view of a Tanjore-style rosewood tanpura bridge with cotton threads adjusted for full resonance. In Indian classical music , javārī [ a ] refers to the overtone -rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura , sitar , surbahar , rudra veena and Sarasvati veena .
After secondary school, Tara Bir Singh Tuladhar gave up a possible career in the trading company of his parents' family in Kathmandu and started learning sitar. He developed a style which incorporated influences from his first teacher Laxmi Narayan Dangol, followed by his second teacher Narendra Batagu and earned his master's degree in music in Allahabad, India in 1974.