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Christ Appearing to Saint Anthony Abbot or The Temptation of Saint Anthony is a 1598-1600 oil on copper painting of Anthony the Great by Annibale Carracci. It was acquired in the 19th century by an English collector and bought in 1846 by the National Gallery, London , where it still hangs.
The temptation of Christ is a biblical narrative detailed in the gospels of Matthew, [1] Mark, [2] and Luke. [3] After being baptized by John the Baptist, Jesus was tempted by the devil after 40 days and nights of fasting in the Judaean Desert.
And being in an agony he prayed more earnestly, and his sweat was as it were great drops of blood falling down to the ground." [1] The painting shows Christ kneeling in the garden with his arms outstretched and leaning backwards as if about to faint. He is held at the waist by an angel descending from a multi-coloured cloud.
The Temptations of Christ depicts three episodes from the gospels, in parallel with the painting on the opposite wall, also by Botticelli, showing the Trials of Moses.A frieze, similar to that beneath the other frescos, has the inscription TEMPTATIO IESU CHRISTI LATORIS EVANGELICAE LEGIS ("The Temptations of Christ, Bringer of the Evangelic Law").
The Mocking of Christ measures 25.8 cm × 20.3 cm × 1.2 cm (10.16 in × 7.99 in × 0.47 in) and depicts the mocking of Jesus prior to his crucifixion. [2] The work is painted with egg tempera on a gold leaf background, on a thinned and slightly bowed poplar panel prepared with layers of gesso ground in which a canvas is embedded.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion, it is devoid of nails, blood, and a crown of thorns, because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ. Also in a ...
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