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Early bandoneón, constructed ca. 1905. Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain, [3] while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. [4]
In Argentina, the word Tango seems to have first been used in the 1890s. In 1902, the Teatro Opera started to include tango in their balls. [11] Initially tango was just one of the many dances practiced locally, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands ...
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by nostalgia, sadness, and laments for lost love.
Argentine tango music is much more varied than ballroom tango music. A large amount of tango music has been composed by a variety of different orchestras over the last century. Not only is there a large volume of music, there is a breadth of stylistic differences between these orchestras as well, which makes it easier for Argentine tango ...
Tango is influenced by Andalusian flamenco, Spanish contradanse, southern Italian melodies, Cuban habanera, African candombe and percussion. German polkas, Polish mazurkas, and Argentine Guanchos milonga. In its early history, tango music was associated with brawls at brothels and knife-wielding womanizing men. [6]
In Argentina, the music of folkloric projection began to acquire popularity in the 1930s and 1940s, coinciding with a large wave of internal migration from the countryside to the city and from the provinces to Buenos Aires, to establish itself in the 1950s, with the "folklore boom", as the main genre of national popular music, together with tango.
Anselmo Rosendo Cayetano Mendizábal (21 April 1868 – 30 June 1913) was an Argentine composer and pianist, and an early pioneer of the tango. [1] Among his most renown works is El Entrerriano, the first tango published under partiture in 1897.