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GIF animation of an Apollonian sphere packing with transparent background. Transparency in computer graphics is possible in a number of file formats.The term "transparency" is used in various ways by different people, but at its simplest there is "full transparency" i.e. something that is completely invisible.
Although used for similar purposes, transparent colors and image masks do not permit the smooth blending of the superimposed image pixels with those of the background (only whole image pixels or whole background pixels allowed). A similar effect can be achieved with a 1-bit alpha channel, as found in the 16-bit RGBA high color mode of the ...
GIF was one of the first two image formats commonly used on Web sites, the other being the black-and-white XBM. [5] In September 1995 Netscape Navigator 2.0 added the ability for animated GIFs to loop. While GIF was developed by CompuServe, it used the Lempel–Ziv–Welch (LZW) lossless data compression algorithm patented by Unisys in 1985.
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Close-up of holographic glitter. Glitter is an assortment of flat, small, reflective particles that are precision cut and come in a variety of shapes, sizes, and colors. Glitter particles reflect light at different angles, causing the surface to sparkle or shimmer. Glitter is similar to confetti, sparkles and sequins, but somewhat smaller.
The background was also altered to a ripple effect, yet retaining the smoky feel. The look also featured an updated style of captions and promotions. Promotions featured the '1' above a BBC logo in the top left of the screen, with the end screen of promotions featuring the programme name at the bottom of the screen.
In a technique known as blue field entoptoscopy, the effect is used to estimate the blood flow in the retinal capillaries.The patient is alternatingly shown blue light and a computer generated picture of moving dots; by adjusting the speed and density of these dots, the patient tries to match the computer generated picture to the perceived entoptic dots.
The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling counterclockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body ...