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Drum triggers gained great attention in the beginning of the 1990s, being extensively used on bass drums in heavy metal music. The advantage of using drum triggers is that potential problems associated with using microphones can be overcome by triggering pre-recorded samples.
The skank beat originated in the early punk and thrash metal scene as a drum beat for extreme music. The skank beat is similar to the blast beat as it alternates between the kick and the snare, with the difference that the ride hand plays notes in unison with both kick and snare. A skank beat is in other words a sped up 2/4 rock or polka beat.
Heavy metal (or "metal") drumming is traditionally characterized by emphatic rhythms and dense bass guitar-and-drum sound. A characteristic metal drumming technique is the cymbal choke , which consists of striking a cymbal and then immediately silencing it by grabbing it with the other hand (or, in some cases, the same striking hand), producing ...
In the words of Greg Milner, author of Perfecting Sound Forever, musicians "didn't just want the sound of John Bonham's kick drum, they wanted to loop and repeat the whole of 'When the Levee Breaks'." [9] Linn said: "It was a very pleasant surprise. After 60 years of recording, there are so many prerecorded examples to sample from.
The technique is commonly used in death metal and other extreme forms of music where triggers and double bass are typically employed. Double strokes can only properly replace single strokes for long runs of evenly spaced notes when using triggers or sample replacement as the sound is inherently uneven.
Craig Michael Jones (born February 11, 1972), [1] also known as 133, is an American musician.He is the former sampler and keyboardist of the heavy metal band Slipknot, in which he was designated #5 amongst its nine member lineup.