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Frederic Arthur Bridgman in his Paris studio, c. 1885, albumen print by Edmond Bénard, Department of Image Collections, National Gallery of Art Library, Washington, DC A Provincial Circus (1870) Funeral of a Mummy on the Nile (1876–77) A Circassian (1881) An Interesting Game (c. 1881) Reclining beauty, one of Bridgman's odalisque paintings
Sabine Marcelis (born 1985) is a Dutch artist and designer. Typically focused on themes of transparency, reflection, opacity and translucency, often using pastel colours, minimalist shapes, smooth surfaces, and materials such as resin, glass, and stone, she has described her work as “an investigation of light, how it can create effects and atmospheres."
Near Eastern and Middle Eastern antiquities in the Louvre (44 P) O. Ottoman art (2 C, 12 P) P. Parthian art (1 C, 5 P) Phoenician art (3 C, 6 P) S. Sasanian art (1 C ...
In the 1940s and 1950s, the 'Golden Age' of Middle Eastern cinema emerged, primarily from Egypt, which is dubbed the "Hollywood of the East." [2] Studios like Studio Misr and Al-Ahram played an instrumental role in the proliferation of Middle Eastern cinema, producing influential films like "The White Rose" (1933) and "The Song of Hope" (1937). [3]
Cosmetics are also mentioned in the book of Esther, where beauty treatments are described. Both sexes used cosmetics throughout the pre-Islamic Near East, going back to the civilizations of ancient Mesopotamia, Ancient Egypt, and Iran. [13] Eye makeup in the form of kohl, were used in Persia and what today is Iran from ancient periods. [14]
The content of kohl and the recipes to prepare it vary greatly. In North Africa and the Middle East, homemade kohl is often made by grinding galena (lead sulfide). Western manufacturers use amorphous carbon or organic charcoal instead of lead. Plant oils and the soot from various nuts, seeds, and gum resins are often added to the carbon powder.