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Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933.
The Weimar Republic era began in the midst of several major movements in the fine arts. German Expressionism had begun before World War I and continued to have a strong influence throughout the 1920s, although artists were increasingly likely to position themselves in opposition to expressionist tendencies as the decade went on.
The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub , the director of the Kunsthalle in Mannheim , who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a ...
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts.
[2] 1920s Berlin was at the hectic center of the Weimar culture. Although not part of Germany, German-speaking Austria, and particularly Vienna, is often included as part of Weimar culture. [3] Bauhaus was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. Its goal of unifying art, craft, and technology ...
Glitter and Doom was a Special Exhibit shown at the Metropolitan Museum of Art featuring portrait art of Germany from 1919-1933, between the World Wars when the Weimar Republic was in political power. This Special Exhibit Archived 2007-02-14 at the Wayback Machine was shown from November 16, 2006 to February 19, 2007.
Otto Dix exhibited the picture for the first time at one of the three exhibitions marking the 100th anniversary of the Saxon Art Association, in 1928. On the middle panel, he also portrayed several members of the Saxon art business. The man with the monocle on the right is the architect Wilhelm Kreis. The head of the Saxon State Chancellery ...
Hannah Höch with her puppets, Dada-Messe, Berlin, 1920. Hannah Höch (German:; 1 November 1889 – 31 May 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. [1]