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The Decision (play) Don Juan (Brecht) Downfall of the Egotist Johann Fatzer; Downfall of the Egotist Johann Fatzer (American premiere) Driving Out a Devil; Drums in the Night; The Duchess of Malfi (Brecht)
The Exception and the Rule (German: Die Ausnahme und die Regel) is a short play by German playwright Bertolt Brecht and is one of several Lehrstücke (Teaching plays) he wrote around 1929/30. The objective of Brecht's Lehrstücke was that they be taken on tour and performed in schools or in factories to educate the masses about socialist politics.
The play was written in 1944 while Brecht was living in the United States. It was translated into English by Brecht's friend and admirer Eric Bentley and its world premiere was a student production at Carleton College, Northfield, Minnesota, in 1948. Its first professional production was at the Hedgerow Theatre, Philadelphia, directed by Bentley.
English. Read; Edit; View history; Tools. ... Download as PDF; Printable version; In other projects ... Plays by Bertolt Brecht (1 C, 52 P) S.
The central theme of the confrontation of the individualistic urges of a strong (male) individual (Fatzer) versus the solidarity to a group is described by Müller as Brecht's immense effort to consolidate the stance of his early plays with the new Marxist approach to the Lehrstücke, as "attrition warfare Brecht against Brecht (=Nietzsche ...
In the current publication, the Arcade edition was translated from Brecht's final revision in 1954 by Gerhard Nellhaus (and by Brecht himself, who made his own English version of the first scene). The Bentley translation is based on public domain material of 1926, many years before Brecht finished revising the play. [5]
It was the first premiere of Brecht's final season at the Berliner Ensemble. [3] Willett identifies an instance of Brecht's lifelong indebtedness to Rudyard Kipling in the play's "Song of the Women of Gaa." [4] The production strongly influenced the English director William Gaskill's reinterpretation of Farquhar's original play for the National ...
Today, Paul Dessau's composition of the songs from 1947 to 1948, also authorized by Brecht, is the better-known version. The play is an example of Brecht's "non-Aristotelian drama", a dramatic form intended to be staged with the methods of epic theatre. The play is a parable set in the Chinese "city of Sichuan". [4]