Search results
Results From The WOW.Com Content Network
Not in Nottingham" is a song from Walt Disney's animated film Robin Hood written and performed by Roger Miller. The performance by Miller, with narration provided by the minstrel rooster Alan-a-Dale, takes place in the rain while the poor are imprisoned. It is one of three songs sung in the film by Miller, the others being "Whistle-Stop" and ...
This page was last edited on 23 February 2023, at 19:48 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
"When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)" is a popular song written, both words and music, by Harry Woods in 1926. The song became the signature song for singer and actress Lillian Roth , who performed it often during the height of her musical career from the late 1920s to the late 1930s.
Song of Robin Hood is a 1947 picture book compiled by Anne Malcolmson, arranged musically by Grace Castagnetta and illustrated by Virginia Lee Burton. The book collects 18 ballads about Robin Hood. The book was a recipient of a 1948 Caldecott Honor for its illustrations. [1]
Robin Hood one day sees a cheerful young man dressed in red, singing and playing in the greenwood: it is Allan-a-Dale. The next day, he sees him again, dejected. He sends two of his Merry Men, Little John and Much the Miller's Son, to apprehend him.
Among those 15 additional songs on the second part of “Tortured Poets” is a track called “Robin,” a piano ballad in which Swift draws imagery of animals and alludes to adolescence.
In one variant, Robin Hood sends Little John out, disguised as a beggar. In the fragmentary one, Little John apparently exchanges clothing with a beggar, as the surviving ballads opens with his complaint that they do not fit. In both variants, he meets up with beggars who realize that he is not one of their company. They fight, and Little John ...
The Foresters or, Robin Hood and Maid Marian is a play written by Alfred Tennyson and first produced with success in New York in 1892. A set of incidental music in nine movements was composed for the play by Arthur Sullivan. The success of the first production led to productions in seven other American cities. A production opened in London in 1893.