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The Holy Book of Hip-Hop was a catalogue of musical samples used in hip-hop music, published in 2001 by Black Glove Publishing. The Los Angeles Times has identified its origins as an illicit print version of Blaine Armsterd's "Sampling FAQ", which was itself compiled from Armsterd's own record collection, from liner notes, and from posts to Usenet. [1]
Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
As hip-hop celebrates its 50th anniversary on Aug. 11, The Times looks back at the artists, songs and innovations that changed the course of popular culture. The 50 greatest moments in hip-hop history
Can't Stop Won't Stop: A History of the Hip-Hop Generation is a 2005 book by Jeff Chang chronicling the early hip hop scene.. The book features portraits of DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, among others, and is based on numerous interviews with graffiti artists, gang members, DJs, rappers, and hip hop activists.
The Questlove-led all-star mega-medley of hip-hop hits during the Grammy Awards — which featured everyone from Grandmaster Flash and Run-D.M.C. to GloRilla and Lil Uzi Vert — was dazzling ...
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
The album peaked at 53 on the Billboard 200, but you’ll find plenty of hip-hop heads (this one included) who would tell you it’s the single best album released on 9/29/98.
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