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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Additionally, a fifteenth-century play of the life of Mary Magdalene, The Brome Abraham and Isaac and a sixteenth-century play of the Conversion of Saint Paul exist, all hailing from East Anglia. Besides the Middle English drama, there are three surviving plays in Cornish known as the Ordinalia. These biblical plays differ widely in content.
In the context of a musical play (opera, light opera, or musical), the term "libretto" is commonly used instead of "script". A play is typically divided into acts, akin to chapters in a novel. A concise play may consist of only a single act, known as a "one-acter". Acts are further divided into scenes.
In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs. [3] In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies ...
Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies. [2] Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry and epics, which evoke imagination in the reader.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Records of Early English Drama; Revenge play
The subject matter of Thunderstorm is the disastrous effects of rigid traditionalism and hypocrisy on the wealthy, modern, somewhat Westernized Zhou family. [1] Specifically, the plot of Thunderstorm centers on the Zhou family's psychological and physical destruction as a result of incest and oppression, caused by its morally depraved and corrupt patriarch, Zhou Puyuan, a wealthy businessman.
The early plays were influenced by the works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe, by the traditions of medieval drama, and by the plays of Seneca. [ 102 ] [ 103 ] [ 104 ] The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it has an ...