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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Additionally, a fifteenth-century play of the life of Mary Magdalene, The Brome Abraham and Isaac and a sixteenth-century play of the Conversion of Saint Paul exist, all hailing from East Anglia. Besides the Middle English drama, there are three surviving plays in Cornish known as the Ordinalia. These biblical plays differ widely in content.
In the context of a musical play (opera, light opera, or musical), the term "libretto" is commonly used instead of "script". A play is typically divided into acts, akin to chapters in a novel. A concise play may consist of only a single act, known as a "one-acter". Acts are further divided into scenes.
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
The play draws attention to discipline over self, compassion for the enemy, reconciliation within the family. Gerow also indicates the differences between the Urubhanga and Sanskrit dramaturgy as well as the structure. G.K. Bhat in his book Tragedy and Sanskrit Drama [11] studies the tragic design and intent established in the play. According ...
The subject matter of Thunderstorm is the disastrous effects of rigid traditionalism and hypocrisy on the wealthy, modern, somewhat Westernized Zhou family. [1] Specifically, the plot of Thunderstorm centers on the Zhou family's psychological and physical destruction as a result of incest and oppression, caused by its morally depraved and corrupt patriarch, Zhou Puyuan, a wealthy businessman.
In 2012 the play returned for a new version at London's Young Vic theatre. The actors doubled up roles for the main and sub plot, such as Diaphanta and Isabella. In 2014 Dominic Dromgoole directed the play in the Sam Wanamaker Playhouse at the Globe Theatre, recreating the performance with the sole use of candlelight for the performance.
Ondine is a play written in 1938 by French dramatist Jean Giraudoux, based on the 1811 novella Undine by the German Romantic Friedrich de la Motte Fouqué that tells the story of Hans and Ondine. Hans is a knight-errant who has been sent off on a quest by his betrothed.