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5 strings 5 courses. G 3 D 2 G 2 B 2 D 3: banjo cello US One octave lower than 5-string bluegrass banjo. Banjo, contrabass: 3 strings 3 courses. Standard/common: E 1 A 1 D 2. Alternates: D 1 G 1 C 2; D 1 A 1 D 2; C 1 G 1 C 2; US Essentially in the same range as the bass banjo, but with a much larger resonator. These instruments are very rare ...
Also common are tuning one octave below standard violin tuning, G 2 −D 3 −A 3 −E 4, which is typical of the tenor banjo in Irish folk music or "octave mandolin," and the so-called "Chicago tuning", D 3 −G 3 −B 3 −E 4, the same as the top four strings of a standard guitar, or the "baritone ukulele," a slightly smaller instrument ...
Plectrum banjo from Gold Tone. The four-string plectrum banjo is a standard banjo without the short drone string. It usually has 22 frets on the neck and a scale length of 26 to 28 inches, and was originally tuned C3 G3 B3 D4. It can also be tuned like the top four strings of a guitar, which is known as "Chicago tuning". [64]
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
The Beacon Banjo Company expanded the banjo's abilities by making these specialized tuners able to install on all four long strings, instead of — as with the cam tuning machines — only on the second and third strings. Other people contributed to the creation of these tuners, including Walt Pittman, and Keith's friend Loring Hall.