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Samba (Portuguese pronunciation: ⓘ) is a name or prefix used for several rhythmic variants, such as samba urbano carioca (urban Carioca samba), [1] [2] samba de roda (sometimes also called rural samba), [3] amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
Italian term Literal translation Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo ...
The Samba de Roda is a celebratory event incorporating music, choreography and poetry. The term "Samba" encompassed many different rhythms, tunes, drumming and dances of various periods and areas of the Brazilian territory. It appeared in the state of Bahia, more specifically in the region of Recôncavo in Brazil, during the 17th century.
Lyrics, instruments, and even melodies often have connections to African culture and even influence culture and music in other countries today. It is strongly influenced by African rhythms. The most well known sub-genres of Afro-Brazilian musical genres are samba, marabaixo, maracatu, ijexá, coco, jongo, carimbó, lambada, maxixe, and maculelê.
"Samba Italiano" [1] (Italian Samba) is a popular samba song composed in 1965 by Adoniran Barbosa (1912–1982), who was a son of Italian immigrants from Valinhos, Brazil, and knew well the pidgin Italian-Portuguese dialect spoken in the streets of São Paulo, mostly in the Mooca, Brás and Bexiga sections.
Roda (Portuguese pronunciation: - wheel or circle) is the circular formation within which participants perform in any of several African and Afro-Brazilian dance art forms, such as engolo, capoeira, maculelê and samba de roda. By extension, the whole event may be called a roda (as in "We will have a roda next Saturday").
By comparison, traditionally in Bahia the chula is the free form song text of the Samba de Roda sung between the dances (as in the samba parada) and defines the structures of the various other "styles" of samba de roda, while the samba corrido lasts as long as the singer feels like singing it before moving on to another.
Musically, Ilê Aiyê's major innovations to samba were the addition of a new 3rd surdo playing rapid rolls with two mallets, the addition of a reggae backbeat played by the snare drums (caixas), and the creation of a new clave pattern that is a blend of samba-de-roda clave with a