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[8] Therefore, as Gustavo Naveira and the other founders of the tango nuevo movement have said, all styles of tango, which have now been influenced by the analysis of the dance, are all tango nuevo. Despite the insistence by the founders of the tango nuevo movement that it is not a single style, it has become an accepted term by many that it is ...
The term neotango has been used in the past as a synonym for tango nuevo, for example when Astor Piazzolla broke some rules of the musical tango pattern. Nowadays it mainly refers to electrotango, [2] a fusion of tango and electronic music which emerged in Argentina in the early 2000s (Gotan Project, Tanghetto, Bajofondo, Electrocutango, Tango Jointz, Tango Fusion, Narcotango and Otros Aires) .
Tango development did not stop with tango nuevo. 21st-century tango is referred to as neotango. These recent trends can be described as "electro tango" or "tango fusion", where the electronic influences range from subtle to dominant. Tanghetto and Carlos Libedinsky are good examples of the subtle use of electronic elements. The music still has ...
It would be probably best if current text was just deleted and the article rewritten by somewhat who knows what neotango actually is (if there is a certain concept, not just a buzzword used for whatever comes to mind) and also understands what an encyclopedia article is. --82.131.109.135 21:55, 23 June 2017 (UTC) I completely agree.
With very few people have I been able to feel the same way, much has been lost. My wish for the dance of tango, then, is that the shared intensity returns, in the soul. Not to stay in the surface, but to feel it inside. That the genre evolves from that intimacy. The essence of tango is in the embrace and the person you are dancing with.
Many tango steps are often borrowed from tango shows, but modified for the tight spaces and flow of other dancers around the floor. Many of these steps are part of tango nuevo. The shape of the steps can vary – for example, how the follower's body is curved during the step may change according to her interpretation of the music or the moment.
The bandoneon was introduced to tango music with prominent composers and bandoneonists such as Eduardo Arolas and Vicente Greco and later was developed into the sextet formation (with two bandoneons) with Pedro Maffia and Pedro Laurenz whose style and technique established the base for the bandoneon section in the orquesta típica.
Astor Pantaleón Piazzolla (Spanish:, Italian: [pjatˈtsɔlla]; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music.